April 26th // SINK @ Reboot
A Night of Electronica in Two Movements
XELA | CLOUTIER | PANDATONE | INSIDEOUT | PRAVEEN | VALEO | CHIKA | ARIKAN | SMITH
37 Avenue A (betw. 2nd and 3rd St)
$5 / 10pm - 4am+

For this edition of SINK we have put together a very eclectic lineup of music and visuals to be performed in two movements.

Movement One
To begin our night we have Percussion Lab’s infamous Praveen know for his tasty hip hop and laptop-pop selections. Following Praveen we have Music Related’s Pandatone performing some of the most beautiful noise to come out of a laptop since Finezze was last in town. And to close out the first Movement we have Type Records’ man-in-charge John Xela performing a very special DJ set of some of the most emotive and moving electronica to ever grace the sound systems of NYC. John rarely DJs state-side, so this is a very rare opportunity to get an earful of what the head of one of the UK’s most respected electronica labels throes down.

Movement Two
Following Xela we have RJ Valeo performing as Isomer Transition. For SINK Valeo will be mixing his own productions of recent and past into his Live PA performing a special 2 hour long live set, blurring the lines between experimental, minimal, live pa and dj performance. Closing out the night we have an amazing booking of Detroit’s Eric Cloutier doing a tag-team with Clink Record’s Insideout. This is an idea that Eric and Grant have been working on for sometime and they are excited to have the opportunity to realize their joint vision of what a proper minimal techno tag-team is. This performance promises to be the highlight of the evening as we have arranged with the venue’s management to allow us to go past the usual 4am stop point for the evening. How late we go, no one knows.

Visuals & Installations
For this evening we have booked two of New York’s best visualists, Chika and Burak Arikan to crate an enveloping visual environment. Chika, with her minimalist geometric patterns, has performed along side artists such as John Tejada, Bubblyfish, Sawako, and countless others. MIT Media Lab graduate and Ars Electronica presenter Burak Arikan has been a major player in the field of data visualization, lending his visual wizardry to (amongst others) Richie Hawtin for several of his Minus tours and shows. David Smith, an acclaimed NYC artist and Warp Records colaborator will present Indexed Color, a new installation of video and slide projection. The work engages with a variety of ways of looking at and thinking about color, from Bob Ross’s relation to color field painters, to color wheel aesthetics, to the effect of colored light on photographic film.

Music
Praveen - DJ Set
PercusionLab / Music Related
http://percussionlab.com

Pandatone - Live PA
Music Related
http://musicrelated.net

John Xela - DJ Set
Type Records
http://typerecords.com

RJ Valeo - Live PA
Type Records / Moodgadget
http://transelectronic.net

Insideout - Tag Team w/Eric Cloutier
Clink Recordings
http://clinkrecordings.com

Eric Cloutier - Tag Team w/Insideout
Subtrak / The Bunker | NYC via Detroit
http://www.elementeight.net/

Visuals & Art
Burak Arikan
http://burak-arikan.com/

Chika
http://www.imagima.com/

David Smith
http://www.thedavidsmith.com

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Isomer Transition Live in NYC @ LESS, Jan 26 2008

Title: Live at LESS Jan 26, 2008
Artist: Isomer Transition
Catalog Number: TRANS.006
Type: Live Performance
Year Recorded: 2008
Format: 267 kbps VBR MP3
Duration: 1 hour 07 Minutes
Size: 128.9 meg
Link:

Recorded live at Igal, Eddie and Vadim’s weekly minimal techno party on the lower east side of NYC at The Annex. Their night there is called, appropriately enough, LESS. They even use the << as a “logo” of sorts.

The night is one of the better weeklies in NYC for techno, and I have had the honor of playing at LESS several times. The crowd is always into the music, and people come there to dance, amongst other things.

This set, recorded 2 days after my 3o-somethingith birthday is particularly special to me as it is all new material never played out before. For this performance I used Ableton Live for audio, an M-Audio sound interface, and both a Drehbank and Trigger Finger for control. I hope that you enjoy.

The cover art for this release was donated by my good friend Ilan Katin. He is a graphic designer, and VJ that is currently residing, in all places, Switzerland.

No Love Live - Recorded early 1997

Title: No Love Live - NYC ‘97
Artist: Transelectronic Theory
Catalog Number: TRANS.005
Type: Live Performance
Year Recorded: 1997
Format: VBR MP3
Duration: 32 Minutes +- a few
Size: 65 meg
Link:

Back in the late ’90’s I was recording and releasing ‘underground’ diy cassettes, and later CDs, under the moniker of Transelectronic Theory. During that time I had played gigs at several raves on Long Island, as well as at a few of the NYEX parties that were going on at the time.

In January/February of 1997 I released “Sunrise” (which can be found as a digital re-issue in the downloads section), and this live set was, in a sense, a live performance of that style of music.

The promoter of the event was expecting me to play a techno set for some reason, not that I had any intent on doing that as Sunrise was anything but techno and this was the first live performance I was playing following the release of Sunrise.

To perform the set I brought out a bunch of hardware, some in a nice 8 space rack - Oberheim OB-1, Oberheim Matrix 1000, Alesis EFX units, Roland S-550 sampler, Yamaha TX81Z, DBX compressor, Alesis Microgate, a 22 channel mixer, and a few assorted stomp boxes. All of this was controlled by an old Powerbook 140 used for midi sequencing. The Powerbook was old school - it had a Motorola 68030 chip running at a massive 16 mhz. The whole thing was sequenced as patterns in Opcode’s Vision - so I could mute and un-mute parts, switch between the different patterns, copy and paste new patterns, all on the fly, and all via midi. The idea was for it to be as “live” as possible allowing me to explore each section and pattern, in order to work the crowd.

Well, there was some drama with the performance. There were some of the old school NY techno heads there, think mid-late ’90’s NYC techno and you’ll know who I am talking about, and they were saying shit like “That isn’t a live PA, he is using a computer” and shit. I took a beating from them. Not only did they bash on my live rig, they really weren’t into the music. Oh well. Sucks to be them, or at the time, it was sucking to be me.

On with the show. As soon as I started playing all of the party-goers decided to sit down and listen instead of dance. I guess that is what happens when you play an IDM set (although I hadn’t even heard of the term IDM at the time) at a techno party. About half way through the set the main promoter comes up to me and says “When are you done? You need to finish soon!” Shit! I had only been playing for 15 minutes at that time, and I had spent like 40 hours preparing for the gig! For the rest of the set he kept asking me “When are you done?!?” After a little more than 30 minutes of “torture” my set was over, and I must say, I was extremely happy with the performance, even if no one else was. Funny how that happens…

Hence the name “No Love Live in NYC”.

Listening back on the set I still find it quite enjoyable, even if it does sound like it is a little old. That is ok, it IS old, 11 years old to be exact.

I hope that you enjoy this recording of one of the finer Transelectronic Theory live performances.

Listen to the set: [audio:http://transelectronic.net/livesets/transelectronic_theory-no_love_live_nyex_10_1997.mp3]

TheReturn of Gel & Weave
…for one night only

Magda | Mike Servito | Igal Nassima | RJ Valeo

Tuesday,November 13 2007
Bar 13 (35 E. 13th St. NYC 9pm - 4am |$10)

We’re excited to announce the return of Magda and her infamousparty, Gel & Weave. This isa one-time only event takingplace on Tuesday November 13th 2007. Now, we know thisisa bit of a strange day to do a techno party with Magda,Mike Servito, Igal Nassima,and RJ Valeo. A Tuesday ofall days! But, the stars aligned to make this thing happenandwe hope that you will come out and join us for what promises to be a really greatnight of music, featuringsome of the best talents that Berlin, Detroit and NYC have to offer. So take Wednesday off, grab your activator, and be prepared to get your snake on!

Magda // Minus, Berlin

Currently residingin Berlin, a relative stone’s throw from her hometownof Zywiec in Poland, Magdaseems to have found a city thatmirrors her own attitude to life - no restrictionsandcer-tainly no compromise. It’s a philosophy that also flowsthrough her musicproductions and her DJ sets and has madeher a vital artist on the Minus roster.Her ability toguide the audience through the dark recesses of contemporaryminimalismbefore delivering them back safely into thelight means her name is never far fromthe lips of discerningclubbers and fellow DJs alike.

Mike Servito // Blackbx/Burnlab, Detroit

A Detroitlocal favorite for years, Servito has finally madethe move to Brooklyn. As a DJ,he is best known for thevariety in his sets and his impeccable musical knowledge,traitsthat have steadily earned him the respect of hispeers. As he grew up Detroit, hewas influenced by localradio at an early age, and began DJing over a decade agoduringthe heyday of the rising De-troit electronic musicscene. Servito has played inNYC many times including theBunker, this past August, as well as at the originalGel & Weaveseries, back in 2002.

Igal Nassima // LESS, NYC

Originally fromIstanbul, Igal moved to NYC to pursue his passionfor dance music. The growing minimaltechno movement inNew York City proved to be a proper home for his glitchy,offcenter style of Djing. Influenced by the concrete ofthe city, the rawness of Brooklyn’sstreets, and his passionfor techno, he created loft.n.space, a late-late-nightafter-hoursparty series hosted with fellow NYC transplantand DJ, Vadim. He has played alongsidethe talented DJsand producers such as Ryan Elliot, Ryan Crossan, HakanLibdo, TimXavier and Nick AC. Igal currently holds courtat NYC’s latest addition to the undergroundminimal technoscene with a residency and curatorial seat at LESS.

RJ Valeo // Moodgadget, NYC

Valeo, bornin New York, is a seasoned producer and performer,perhaps best know for his seminalalbum “September” onthe UK’s Type Records. Recently, in contrast to previous releases,he has been focusing his meticulous beat programmingand production skills on craftingsubtle and heady techno.His latest explorations journey through the subtle interplayofrhythm & bass and minimally placed melodic elements,leading the listener tofind solace in the negative spacesinbetween these juxtaposed of his productions.As all ofhis music has been, these pro-ductions are influenced bythe minimalismof microsound, glitch and idm, industrialand new wave, and by technology itself.

The Return of Gel & Weave is brought to you by vivianne’sprojects and transelectronic.net