Posts Tagged ‘Free’

Richard J Valeo - Programmatic Responses [Digital EP]

Wednesday, May 14th, 2008

Artist: Richard J Valeo
Title:
Programmatic Responses
Catalog Number:
trans.009
Type:
Digital EP
Release Date: 14.05.2008
Format: 320 CBR MP3
Duration: 28.3 minutes
Size: 61.5 meg
Purchase:

Programmatic Responses, the first release by artist RJ Valeo under his ‘Richard J Valeo’ moniker, explores some of the darker and more complex ideas first presented on his 2003 Type Records release “September”.

Through the use of constantly evolving rhythmic and melodic structures, “Programmatic Responses” draws us into a hypnotic world of rhythmic evolution. Created from overlapping pattern fragments repeated at un-synchronized lenghs, and overlapping melodic elements that are built from Reich-like “phasing” time signatures, the compositions on “Programmatic Responses” are based firmly in the digital-futurist world.

Created using a custom developed live composition and mixing environment (comprised of Numerology and Bidule) the compositions were performed and captured live in one pass with no post production. With “Programmatic Responses”, Valeo — a student of the groove, creates the perfect soundtrack in response to and for the constantly shifting inhabitants of modern cities everywhere.

Now available on Amazon.com for purchase.

Jeremy Idol - Moonbase Alpha [Digital Single]

Tuesday, May 6th, 2008

Artist: Jeremy Idol
Title: Moonbase Apha
Catalog Number: TRANS.008
Type: Digital Single
Format: 320 kbps MP3
Duration: 4:23 minutes
Size: 10.2 meg
Link:

So, I don’t usually post music on my site from other producers, but this is one of those exceptions, I mean, Moonbase Alpha? How could I refuse!?. A friend of mine that I have worked with in the past hit me up with this track and asked if I was interested in releasing it on IO-Records when it re-launches this fall. While I really do love the track, I can’t release it (and get him paid) due to the fact that it has some samples in it that are going to be cost-prohibitive to license.

It’s an electro-ish techno track that has influences from old school industrial, glitch and a little bit of “the edit” throw in. I hope that you enjoy “Moonbase Alpha”. If you are a sci-fi head as I am I am sure you can tell where he sourced the sample from, if the cover art didn’t give it away already. Enjoy.

Listen Here:
[audio:http://www.transelectronic.net/downloads/jeremy_idol/Moonbase_Alpha.mp3]

The Music Industry, ‘Free’, and the MP3

Tuesday, April 29th, 2008

Underside of \"The High Line\" in Chelsey, NYC

What value does something that is “free” have? Does it devalue the actual content if it is given away?

Does something that is free have “less quality” or could it even be “less good” than something that costs money?

This is a very interesting topic when it comes to music, and it begs the question: If an artist gives their music away for “free”, is it worth listening to?

Strange question, or is it? If something is free do you want it more or less than something that is *supposed* to cost money but that you don’t pay for, like a Promo Copy of a record, or a CD given to you by an artist? Those items have value, don’t they?

Legally free or illegally free, free is free. Zero is zero, it costs you nada, zip, zilch. But, for some reason, it appears that for a large majority of people the music that is stolen is perceived to have more value than the music that is simply given away. Does that make any sense? There is a perception here that needs to be broken that “free = bad”. It is almost like the implied value in the music is in the fact that *someone* actually payed for it, even if you didn’t. It’s like ’stealing’ is being in on a secret. There is psychologically implied value in the music when you pirate it.

Well, it is time to break that thought process for a few reasons. Independent labels are going away and more and more artists are turning to the internet to distribute their work, for free.

So, how does one create value with free and why? Just because the medium is digital doesn’t mean it didn’t take time and energy and money to create it. If you like what the artist is doing, support them! There are a number of ways to help generate income from free, and I’ll go over a few of them here.

#1 - Limited free availability. Make something free for a limited amount of time, then, assign price to it. If you can’t get it for free you may want it more, and when you can’t get it for free if you want it you’ll have to buy it.

#2 - Low Resolution for free, High Rez for a price. If you download something, and you like it you can then purchase the high quality version that has all of the detail in it.

#3 - Free/Paid Content Groupings. Give away a limited amount of songs for free, but if the entire package is wanted then a certain respectable price needs to be paid.

#4 - Honor System. Let the unit/item be downloaded for free and let the listener decide after they download it what they want to pay for it.

#5 - Forced Value Acknowledgment System. Let the user download the item for free, but make them enter the actual number $0 in for the price they are willing to pay. This way they understand that they are getting it for free.

#6 - Digital / Limited Physical Bundle. Couple digital media with physical media, be it a poster or exclusive content on a collectible medium that is limited in quantity.

#7 - Just give the damn things away. If the person likes what they hear, they will value it and come back for more and possibly purchase other items.

Think of free music like this - it is the great cutout bin in the sky. How many times did you go into Tower Records (the late) hoping to find that great find in that red tag bin?

And, ultimately, why should we care about any of this? If we don’t support and encourage the artists to continue to make new music, we will be limited to experiencing music from people that just started to make it and are comfortable giving it away, and, we will loose out on all of the wonderful artists that have been making music for decades but they have stopped because they could no longer afford to create the worlds that they inhabit for us to enjoy.

And ultimately, by supporting the artists with downloads and even a little compensation we are showing them that there is value in their work and they should continue.

Just something to think about.

trans.007 - Isomer Transition - Mission to Mars - Digital Release

Monday, April 21st, 2008


Artist: Isomer Transition
Title: Mission to Mars
Catalog Number: TRANS.007
Type: Digital EP
Format: 160 kbps MP3
Duration: 28 minutes
Size: 28 meg
Link:

Mission to Mars, the first episode in the “Behind the Shadow of the Moon” story series, is now available as a free 160 kbps download on transelectronic.net. If you prefer 320 kbps or WAV format you can purchase them from Beatport.

Diaspora is the story of a group of renegades scientists that are racing to Jupiter to save a mysterious planetoid from being destroyed. Releases in this series take the form of audio narratives, with the song titles representing ’scenes’. You can read Captain Rethan Doepfer’s journal entries and other story snippets here.

This is a digital release on transelectronic.net of a previously released EP. In addition to this site the music is available via iTunes, eMusic, Beatport and other fine digital retailers. The reason that I am giving these tracks away is that it makes me happy to have people listen to my work. If you like the tracks, make a donation to my paypal account (rjvaleo@gmail.com) or simply email me and let me know what you think.

Listen to the tracks:
Deep in Space - 6:00
[audio:http://www.transelectronic.net/downloads/it-mtm/01_Deep_In_Space.mp3]
Loop Me Through to Control the Mains - 6:38
[audio:http://www.transelectronic.net/downloads/it-mtm/02_Loop_Me_Through_to_Control_the_Mains.mp3]
The Exploration of Region 13 - 5:49
[audio:http://www.transelectronic.net/downloads/it-mtm/03_The_Exploration_of Region_13.mp3]
Space Madness - 6:26
[audio:http://www.transelectronic.net/downloads/it-mtm/04_Space_Madness.mp3]

Download this release as 160 kbps mp3s - CLICK HERE

Purchase this release on Beatport as WAVs or as 320 kbps mp3 - CLICK HERE

Super DestroyFX Free Plugins at Smartelectronix.com

Monday, April 7th, 2008

Price: FREE
Product Link:
here
Rating: 4.5 bloops

Just as with movies and music, music production has it’s classics as well. When you think classic console you think Neve. When you think classic compressor LA-2A comes to mind. When you think classic sampler Fairlight is right there. And, when you think “classic really cool off the wall free plugins”, Destroy FX comes to mind.

Part of the smartelectronix.com software development coalition, the super destroy fx
cover a wide range of effects, including delay & pitch shifing the likes of which you have never experienced before in transverb (used in the classic OS2 track on Hobby Industries) to the bit crushing and drop-frame-non-dithering sample rate reductions of geometer. See screen shots below.

Geometer

geometer.gif

Geometer ripping up some sound making it happier. Similar Pluggo’s Fragulator yet different at the same time. Something like the difference between Coke and Pepsi yet not at all.

Transverb

transverb.gif

Pitch shifting delay goodness with randomize and “tomsound”. This is one of those plugins that makes a wide variety of sounds. When running vocals through it it can make you sound like Darth Vader or Alvin and the Chipmunks, both on a 10 sleepless caffeine binge of course. Sort of like a tape delay that does massive 12 octave pitch shifting with a really long playback loop, but at the same time not at all. This seems to be a common theme here.

*Tip* - When using on an EFX send be sure to turn the “dry mix” slider all the way down. There really is no need to have the dry signal coming through on the EFX buss.

Both of these fine free plugins are available as AU and VST for Macintosh and as VST for the good ole PC.

The Economics of Free

Monday, February 25th, 2008

ff_free1_f.jpg

I just came across an amazing article in Wired Magazine entitled “FREE! Why $0.00 Is the Future of Business” by Chris Anderson. Anderson starts with an old-world example of how Gillette started out by giving away their product (the razor handle with only a few blades) in order to eventually sell more blades and build the empire that is Gillette.

He takes that example and shows how modern-day companies like Google, Flickr, or YouTube are taking this very same idea and running their entire business based on providing free services. Of course not everything on these sites is free for everyone — Google has Ad Words that people pay for, YouTube has premium channels that companies pay for, and Flickr has it’s “Pro” account that also generates revenue, but the bottom line in all of these examples is that you give something away and are able to charge someone else to pay for what you give to the people for free.

Anderson talks about how free impacts the Movie Industry, how we are living in a world of Digital Waste, how the difference between something that costs $0.01 and $0.00 is huge, a brief paragraph concerning Zero margin cost (distributing digital music files) amongst may other ideas.

While I don’t have any concrete ideas about how this directly relates to solving the issues with music distribution and getting artists payed for their work, I do know that free is the future for information and content on the web, and that there is a viable platform here to be created for artists and musicians to benefit in some way from the models of Gillette and Google.

It is a long article, so do as I do: print it out and take a little break from the daily grind. Fill your brain with some good ole knowledge whilst you take a break from the daily grind of taking care of the things in your life that are not free.

Link to Wired article here: http://www.wired.com/techbiz/it/magazine/16-03/ff_free

Soundmagic Spectral Plugin Review

Monday, October 22nd, 2007

soundmagicscreenshotsmaller.jpg

Michael Norris’ Soundmagic Spectral AU Plugins

Price: FREE
Product Link:
here
Site Link: here
Rating: 4.5 bloops

For those of you that make music, here is a collection of really amazing plugins to do some really fantastic spectral processing. Take that MAX/MSP! They take a little getting used to, and are a little processor intensive (read as: freeze tracks when done tweaking) but they make some truly amazing and unique sounds. Drones, pitch shifting, spectral smearing just to name a few. Visit his site for more screenshots, sound examples and all the info you will need about these amazing plugins.And oh, for those of you that remember, Michael is the person that developed those amazing plugins “Soundmagic EFX” back in the day. Nice to see that he has continued to develop software. He is also a composer, a photographer and other assorted cool things. If you visit his site you will see all the amazing software and projects that he is sharing with us. Thank you Michael!


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