Posts Tagged ‘digital release’

Process 082 - modyfier [digital release]

Thursday, June 26th, 2008

Recently I had the honor of participating in a series of releases curated and released over on the modyfier blog. Shepherded by the ever-insightful Rayna, this series of site-specific works focuses it’s attention on not only the product of the works, but on the process behind them.

I wrote a 3 page paper to accompany the 4 composition to be posted on the site. Here is an excerpt of what I wrote.

“… Another aspect of the project was that improvisation was used as a central part of the compositional structure. The general form for each song was created using a MIDI sequencer, but the final recorded version was a combination of improvised performance and structured composition. It was this paring of improvisation and composition that allowed this series of compositions to stay fresh and novel. …”

Visit modyfier for the full text as well as to download the tracks. They are experimental and minimal.

trans.007 - Isomer Transition - Mission to Mars - Digital Release

Monday, April 21st, 2008


Artist: Isomer Transition
Title: Mission to Mars
Catalog Number: TRANS.007
Type: Digital EP
Format: 160 kbps MP3
Duration: 28 minutes
Size: 28 meg
Link:

Mission to Mars, the first episode in the “Behind the Shadow of the Moon” story series, is now available as a free 160 kbps download on transelectronic.net. If you prefer 320 kbps or WAV format you can purchase them from Beatport.

Diaspora is the story of a group of renegades scientists that are racing to Jupiter to save a mysterious planetoid from being destroyed. Releases in this series take the form of audio narratives, with the song titles representing ’scenes’. You can read Captain Rethan Doepfer’s journal entries and other story snippets here.

This is a digital release on transelectronic.net of a previously released EP. In addition to this site the music is available via iTunes, eMusic, Beatport and other fine digital retailers. The reason that I am giving these tracks away is that it makes me happy to have people listen to my work. If you like the tracks, make a donation to my paypal account (rjvaleo@gmail.com) or simply email me and let me know what you think.

Listen to the tracks:
Deep in Space - 6:00
[audio:http://www.transelectronic.net/downloads/it-mtm/01_Deep_In_Space.mp3]
Loop Me Through to Control the Mains - 6:38
[audio:http://www.transelectronic.net/downloads/it-mtm/02_Loop_Me_Through_to_Control_the_Mains.mp3]
The Exploration of Region 13 - 5:49
[audio:http://www.transelectronic.net/downloads/it-mtm/03_The_Exploration_of Region_13.mp3]
Space Madness - 6:26
[audio:http://www.transelectronic.net/downloads/it-mtm/04_Space_Madness.mp3]

Download this release as 160 kbps mp3s - CLICK HERE

Purchase this release on Beatport as WAVs or as 320 kbps mp3 - CLICK HERE

Transelectronic Theory Live - 1997 NYC NYEX 10

Thursday, March 20th, 2008

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No Love Live - Recorded early 1997

Title: No Love Live - NYC ‘97
Artist: Transelectronic Theory
Catalog Number: TRANS.005
Type: Live Performance
Year Recorded: 1997
Format: VBR MP3
Duration: 32 Minutes +- a few
Size: 65 meg
Link:

Back in the late ’90’s I was recording and releasing ‘underground’ diy cassettes, and later CDs, under the moniker of Transelectronic Theory. During that time I had played gigs at several raves on Long Island, as well as at a few of the NYEX parties that were going on at the time.

In January/February of 1997 I released “Sunrise” (which can be found as a digital re-issue in the downloads section), and this live set was, in a sense, a live performance of that style of music.

The promoter of the event was expecting me to play a techno set for some reason, not that I had any intent on doing that as Sunrise was anything but techno and this was the first live performance I was playing following the release of Sunrise.

To perform the set I brought out a bunch of hardware, some in a nice 8 space rack - Oberheim OB-1, Oberheim Matrix 1000, Alesis EFX units, Roland S-550 sampler, Yamaha TX81Z, DBX compressor, Alesis Microgate, a 22 channel mixer, and a few assorted stomp boxes. All of this was controlled by an old Powerbook 140 used for midi sequencing. The Powerbook was old school - it had a Motorola 68030 chip running at a massive 16 mhz. The whole thing was sequenced as patterns in Opcode’s Vision - so I could mute and un-mute parts, switch between the different patterns, copy and paste new patterns, all on the fly, and all via midi. The idea was for it to be as “live” as possible allowing me to explore each section and pattern, in order to work the crowd.

Well, there was some drama with the performance. There were some of the old school NY techno heads there, think mid-late ’90’s NYC techno and you’ll know who I am talking about, and they were saying shit like “That isn’t a live PA, he is using a computer” and shit. I took a beating from them. Not only did they bash on my live rig, they really weren’t into the music. Oh well. Sucks to be them, or at the time, it was sucking to be me.

On with the show. As soon as I started playing all of the party-goers decided to sit down and listen instead of dance. I guess that is what happens when you play an IDM set (although I hadn’t even heard of the term IDM at the time) at a techno party. About half way through the set the main promoter comes up to me and says “When are you done? You need to finish soon!” Shit! I had only been playing for 15 minutes at that time, and I had spent like 40 hours preparing for the gig! For the rest of the set he kept asking me “When are you done?!?” After a little more than 30 minutes of “torture” my set was over, and I must say, I was extremely happy with the performance, even if no one else was. Funny how that happens…

Hence the name “No Love Live in NYC”.

Listening back on the set I still find it quite enjoyable, even if it does sound like it is a little old. That is ok, it IS old, 11 years old to be exact.

I hope that you enjoy this recording of one of the finer Transelectronic Theory live performances.

Listen to the set: [audio:http://transelectronic.net/livesets/transelectronic_theory-no_love_live_nyex_10_1997.mp3]

Isomer Transition - Live from Halcyon, Dumbo

Sunday, March 9th, 2008

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Title: All Mixed Up
Artist: Isomer Transition
Catalog Number: TRANS.004
Type: DJ Set
Year Recorded: 2006
Format: 238 kbps VBR MP3
Duration: 49:52
Size: 85.4 meg
Link:

This live performance was recorded in May 2006 at my friend Patrick Gallagher’s art opening at the Halcyon Record shop down in Dumbo Brooklyn. The idea behind the performance was to take a lot of my material from all of the different monikers I have produced under and do a DJ style Live PA with it. I did a lot of pre-production, culling tracks from as far back as 1995. No joke! I took loops from tracks recorded to DAT, to cassette, and random field recordings. It is a deep and dark heady journey through the transelectronic universe.The tracks used in this mix are from the upcoming “Mixtapes” and “Tapes and Trackers” series’ of releases scheduled for early April. The individual tracks will be available for download on this site then.

Transelectronic Theory - Sunrise [digital re-issue]

Monday, March 3rd, 2008

sunrise_sm.jpg
Title: Sunrise Digital Re-issue
Artist: Transelectronic Theory
Catalog Number: TRANS.003
Type: Digital Re-issue
Year Released: 1997
Format: 320 kbps MP3
Duration: 60 Minutes +- a few
Size: 126.8 meg
Link: download
Here is the back story on this release.

Originally released in Jan 1997 as “Transelectronic Theory - Sunrise”. Sunrise was recorded on the floor of my bedroom studio from September - November of 1996. This release used hardware for all of the sounds. The partial gear list is: Korg Monopoly, Roland Juno 106, Roland S-550, Roland R-70, Roland TR 909, Korg Pandora, Oberheim Matrix 1000, Oberheim OB-1, Yamaha SY-22, Yamaha TX81Z, Alesis Midiverb and a few other pieces of gear. All of the songs were done in the “performance to DAT” method, in which I would get all of my parts together and do a performance of the song and capture it on DAT. So, in a simple sense all of these are “live takes” in the studio. The object of this release was to capture the feeling of a sunrise - that magical moment when the sun shows itself for the first time in a day, and I think it managed to pull it off. I have put this release on my iPod and it seems to work well for a subway ride, or for some other activity that you can simply “be in the moment” for. File under ambient, and hiphop.

Downloads can be found here.
http://transelectronic.net/v2/downloads?dl_cat=2


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