Comments on: Richard J Valeo - Programmatic Responses [Digital EP] http://transelectronic.net/v2/archives/183 Transelectronic.net contains classic works, live performances, and unreleased material from RJ Valeo under the monikers of RJ Valeo, Isomer Transition, and Transelectronic Theory. Wed, 07 Jan 2009 14:23:43 +0000 http://wordpress.org/?v=2.5 By: giraffe http://transelectronic.net/v2/archives/183#comment-2859 giraffe Tue, 06 Jan 2009 00:03:26 +0000 http://transelectronic.net/v2/?p=183#comment-2859 nipped it off emusic today. def feeling track 2 more. nipped it off emusic today.
def feeling track 2 more.

]]> By: rj valeo http://transelectronic.net/v2/archives/183#comment-1298 rj valeo Tue, 12 Aug 2008 20:32:39 +0000 http://transelectronic.net/v2/?p=183#comment-1298 Thanks for the kind words guys. They are much appreciated. Check out the other releases, if you'd be so kind... Thanks for the kind words guys. They are much appreciated. Check out the other releases, if you’d be so kind…

]]> By: Wade http://transelectronic.net/v2/archives/183#comment-1210 Wade Fri, 27 Jun 2008 13:07:52 +0000 http://transelectronic.net/v2/?p=183#comment-1210 Downloaded these 2 tracks today. I'm really enjoying them, especially the dissonant tonality in the 2nd one that's becoming more apparent to me the more I listen. That they are essentially live cuts from your rig is really impressive to me. I'm developing a live performance myself at the moment, built out of Live and Reaktor and with a keyboard and controller - though 90% of my tracks I compose in Logic. My own interest in performance is in providing apparent visual cues between gestures I make and what people hear, which is what I'm trying to sus out. Downloaded these 2 tracks today. I’m really enjoying them, especially the dissonant tonality in the 2nd one that’s becoming more apparent to me the more I listen. That they are essentially live cuts from your rig is really impressive to me. I’m developing a live performance myself at the moment, built out of Live and Reaktor and with a keyboard and controller - though 90% of my tracks I compose in Logic. My own interest in performance is in providing apparent visual cues between gestures I make and what people hear, which is what I’m trying to sus out.

]]> By: Adesh http://transelectronic.net/v2/archives/183#comment-1163 Adesh Fri, 23 May 2008 15:54:20 +0000 http://transelectronic.net/v2/?p=183#comment-1163 Yo man, these be some bangers! nice work. Adesh Yo man, these be some bangers!
nice work.

Adesh

]]> By: signatures catalog http://transelectronic.net/v2/archives/183#comment-1158 signatures catalog Mon, 19 May 2008 18:13:03 +0000 http://transelectronic.net/v2/?p=183#comment-1158 [...] Type: Digital EP Release Date: 14.05.2008 Format: 320 CBR MP3 Duration: 28.3 minutes Size: 61http://transelectronic.net/v2/archives/183A corporate mashup can work marvels for your business ITBusiness.caBig vendors like Oracle, IBM and [...] […] Type: Digital EP Release Date: 14.05.2008 Format: 320 CBR MP3 Duration: 28.3 minutes Size: 61http://transelectronic.net/v2/archives/183A corporate mashup can work marvels for your business ITBusiness.caBig vendors like Oracle, IBM and […]

]]> By: rj valeo http://transelectronic.net/v2/archives/183#comment-1154 rj valeo Thu, 15 May 2008 14:58:51 +0000 http://transelectronic.net/v2/?p=183#comment-1154 The "Reich" reference in the info blurb is simply calling attention to several of the sliding and intentially out-of-sync 'train-wrecks' used on some of the effects and in the actual drum patterns. In no way was the comparison to mean any sort of Reich-like brilliance or forward thinking were involved here, just straight up inspiration used in a different context. The “Reich” reference in the info blurb is simply calling attention to several of the sliding and intentially out-of-sync ‘train-wrecks’ used on some of the effects and in the actual drum patterns. In no way was the comparison to mean any sort of Reich-like brilliance or forward thinking were involved here, just straight up inspiration used in a different context.

]]>